Where Red gets its drive is exploring the angst that the artist in question, one Mark Rothko, brings to the table. Actor Jim Mezon turns in a towering performance as the raging European immigrant whose tradition and history evokes all sorts of emotional issues that rise to the surface especially when a new assis
tant arrives on the scene.
Young and idealistic describe the demeanour of Ken, a bright eyed artist in the making who somehow gets the job of becoming Rothko’s assistant. Handsome David Coomber comes of age as this novice and Young Turk who wants and hopes to learn from the master but finds himself wallowing in a small space beset by a big ego.
How these two react to one another’s visions and insecurity in the name of art is superbly developed. All interchanges between these two men of different ages and backgrounds will leave audiences mesmerized for their 90 minute presentation set apart by different time frames without any intermission.
Paint is centre stage in this show along with discussions on other giants in the world of art. Clearly Rothko comes across as a very angry man with Ken the not so perfect sounding board for all his demons. Told in one set made up of four very large canvases, two powerful spotlights and two larger than life characters, Red is a case study of dreams and hopes clouded by many doubts. Lifestyles of the Rich and Famous along with celebrity get royally skewered as one cantankerous relic from the old school lets loose with pent-up frustration that involves art as pure expression. On stage at theVancouver Playhouse until Feb. 4 Red features truly towering performances and is a story not to be missed. Written by ace Hollywood screenwriter John Logan and here directed with great soul and conviction by Kim Collier, Red is one show not be missed.
For more information on Red or tickets go to www.vancouverplayhouse.com or call (604) 873-3311 for tickets.
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